Without the week-by-week waiting, the show’s narrative hiccups are more excusable somehow, pulled along as we are by the mystery’s grim engine. Most promisingly, the show flows much better when consumed in mass quantities, which Netflix subscribers will be able to do starting today. So I’m expecting, hopefully not in vain, for Season 4 to show us another new side of this uneven, but rarely uninteresting, series. And then there was the poignant but scary sociology of Season 3, which showed that there was a real heart beating under all that cold, damp Pacific peat.
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Sure, the first season was a cop-out full of frustrating red herrings, but the Rosie Larsen case did wrap up in devastating, somewhat shocking fashion by Season 2’s end. Which is why I’ve stuck with the show when many others have long ago abandoned it. “Stop solving that quadruple homicide and take me to dinner! You promised!” These people have sort of selfish priorities, no?)
(And I’m tired of the conflict in so many detective stories being a wife/husband/kid/whatever who doesn't understand.
Maybe not! Maybe they welcome every time these troubled cops forget some personal obligation, yet again disappointing a loved one. But at this point, four seasons in, we’ve seen Linden screw up with her sullen but patient son (conveniently dropped off to spend a dreary spring break with his mom), or Holder struggle to stay clean and sober, so many times before that I’d have to imagine that the actors are bored with it too. Hence, these looks into both detectives’ tortured lives. The common thinking might be that with actors of Enos's and Kinnaman’s caliber, these characters had to have something more to do than ask questions of suspects and peer sadly at bloody walls and murky, secret-keeping bodies of water. There is a lot of guilty ache and anger, and many departmental obstacles to maneuver, all of which distracts from the thing we really care about. But, of course, on this show, with all its rain-soaked miserablism, moving on is exactly what she, and the complicit Holder, can't do. With the help of her cocky, troubled partner, Holder ( Joel Kinnaman, swaggery as ever, but with less charm now), Linden covers up the murder and tries to move on.
For that reason, you should check out this new run of episodes.īut, as has always been a problem with this show, Season 4 of The Killing spends far too much time in our lead detectives’ lives, kicking around in the fallout from last season's finale, which saw morose Seattle detective Sarah Linden (the forever frowning Mireille Enos) killing her paramour, who just so happened to be both a bigwig in the police department and the guy who was murdering all those runaways. This season’s central murder mystery-concerning a wealthy family’s brutal slaying and the students of a rigid military academy who are somehow involved-is plenty intriguing, playing more as a thriller than the somber grief melodrama of Seasons 1 and 2, or the issue-y, but effective, look at teen runaways in Season 3.
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The series is produced by Dorthe Riis Lauridsen and executive produced by Piv Bernth and her company, the ITV Studio-backed Apple Tree Productions, the Danish production company behind The Killing and The Bridge.Įquinox “is a very unique story about the difference between reality and imagination, and the relation between free will and fate-all set in a normal Danish family,” Piv Bernth said.Įquinox may just be the right series to fill the big Dark-shaped void in the streaming world, for those who love intricate and complex stories about different timelines and dimensions that make you question reality in very thought-provoking ways.Įquinox is due to be released on Netflix globally on December 30.The Killing, the perhaps unfairly maligned adaptation of a popular Danish murder mystery series, has left AMC and begun a new (if brief) life on Netflix, and I'm tempted to tell you that this is a perfect point to pick the show up. 'The Chestnut Man.' Netflix 'The Chestnut Man' was released on Netflix just a few weeks ago, on September 29, 2021, but it's already making waves. The six-part series will star Danica Cucic (The Bridge), playing Astrid. 'The Chestnut Man' is a Danish crime series based on the Sren Sveistrup novel of the same. The podcast and series were written and created by Tea Lindeburg. The story of the new series Equinox is based on an acclaimed podcast called Equinox 1985 which was a hit in Denmark topping the iTunes podcast chart. Danish series 'Equinox' created by Tea Lindeburg (Photo credit: Netflix/Tine Harden) Netflix
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